The Nature of Disappearing by Kimi Cunningham Grant: Cover Reveal & Excerpt

One

Smoke tinges the world white. It swallows the spired treetops and narrows the canyon ahead. It erases altogether the majestic gray faces of the Obsidians, shrouds the valley, slips up the ravines. Emlyn stands midstream, the river lulling at her thighs, pressing her waders tight.

A shadow overhead, a flash of dark. In a moment it swoops to the water, hard and fast. A bright splash as it hits the surface, then it lifts, flapping higher, its catch secure in its talons. Osprey. Emlyn looks at the client, clambering ahead and sloshing upstream, and wonders if he sees it. Some people, they feel the trout in these waters belong to them and not the birds, and Emlyn has a feeling the client is such a person.

John Thomas is his name, and he seems to hold it against her that the wildfires in California are ruining the cerulean Idaho skies promised on the company website. Earlier, as they’d loaded gear into the truck, he’d waved his hand toward the gray-white space in the distance where the Obsidians hid, veiled in smoke, and, frowning, said, “I thought there were mountains.”

He’d arrived fourteen minutes early in an Aston Martin Vantage, teal with a yellow pinstripe down its hood. Emlyn had tried not to stare, which is exactly what a car-loving person like herself was wont to do, and exactly what a person who drove such a car expected people to do. She’d tried not to eye the handcrafted Oyster bamboo rod, which she knew carried a price tag of forty-six hundred dollars, though, in the end, she couldn’t keep herself from commenting. And she’d tried not to look too hard at him, John Thomas, maybe ten years her senior but glowing with good looks and vigor, a shining example of how money could prolong youth. He’d climbed out of the Aston Martin, extended a smooth hand, and flashed her a winning smile. “I’ve heard great things about you,” he’d said.

To her relief, she’d delivered. Well, that and they’d been lucky. Luck was always part of the story. She’d set him up with a hopper-dropper—the hopper peach with Sharpied dots on its underside, the dropper a zebra nymph, both of which she’d made herself—and the man had caught a fat, glimmering brown trout in a public stretch of the Salmon, early in the day. Later, and to his great delight, he’d taken a small bull trout in a tributary on the Henning Ranch, where Emlyn had permission to fish. She’d cited statistics about the odds of such an accomplishment and snapped a slew of photos before returning it to the cold water.

This is good work, guiding, and she knows it. Spending day upon day where she feels most at ease, in the wild, in a place she is sure is the most beautiful stretch of land in the country, if not the world, and most of the time, she loves it. On the river there is no humdrum, no watching the clock. There’s splendor, there’s variety. Clients of all sorts come to her. Some have never held a fly rod and, enamored with all those gorgeous descriptions in books like A River Runs Through It and The River Why, want to give it a whirl. She remembers that initial impulse herself, watching her father wade into the water as she sat along shore, knees tucked. Seeing him squint and lean and then set the hook and begin to reel it in. How the fish fought, how her dad didn’t rush, but took his time bringing it in. “Can I try?” she’d asked, and he’d grinned and waved her to the stream. The water cold and soaking through her tennis shoes. She was a girl, then. Eleven. But still she remembers the desire, the sense that she could not just sit on the bank any longer.

And so, when these clients with their intrigue and curiosity pay the shop their mind-boggling fee to spend the day learning, Emlyn gladly accommodates them. She drives them up 75 in her truck, past Selborne hot springs, where the thermal water rises from the earth and spills hot down a golden hillside into the Salmon. She swings left to the dredge ponds, where the client has plenty of room to learn a backcast, and where the trout have been stocked so thickly they swim fin-to-fin, darkening the clear water. She doesn’t mind those days. She doesn’t mind the days when the client is an equal, someone who simply wants knowledge of the area, access, some recommendations on which flies to try. Sometimes, though, there are John Thomases: entitled jerks who are simply checking off a locale from a list someone posted on the internet. People who don’t really love that feeling, how the rest of the world can blur and disappear when you are on the water, but who are after something else, something less. And today is one of those days.

All morning she’s been trying to find a word for him. It is something she does, identify one word to summarize a person—one solid, shiny word that really captures someone’s essence. Deep down she wants to believe that people are much more complicated than a single word, that perhaps a person doesn’t really have an essence at all, but rather essences. Or that maybe a person could be one thing, but then change. Even so, it’s a game she plays. But, try as she might, she has not yet come up with John Thomas’s word.

He insists on lunch at the Sunny Creek Lodge, which is fourteen miles south of where they are now. Emlyn doesn’t want to eat lunch with John Thomas, but unfortunately, this is part of the gig. Schmoozing, chatting, making the client feel like he is sharing a day with an old friend. It’s the one part of the job that Emlyn really considers work, and the one part she is not particularly good at. More often than she wishes to admit, this is noted in the survey that clients are asked to complete after their day with each guide. She’s aloof, she isn’t friendly, she is awkward. She can’t really deny any of those things, but still, it stings to read them, and on more than one occasion Oliver, her boss, has asked her to try just a little harder, please. And she does try, she really does, but that tendency to hold everyone and everything at arm’s length, to view the world through a lens clouded with suspicion, is so deeply ingrained in her that she isn’t sure she will ever be any different.

In the zip pocket of her chest waders Emlyn keeps three things: her Dr. Slick offset nippers; a bottle of Gink; and the emergency flashlight her dear friend, Rev, gave her for Christmas her first year in the valley. Now, she runs her palm over the pocket, feeling the shape of each item beneath the nylon. A habit. She drops her hands to the river, grazing the water. Like always, her left ring finger tingles in the cold. An old wound, a reminder of the past. Though she is finally in a place where she doesn’t think much about that old life, sometimes the finger will remind her of all that she had, once. And all that she did not.

Upstream, John Thomas has managed to reel in yet another fish, and he is struggling to hold it in his left hand, the right hand gripping a phone out at arm’s length, taking a photograph of himself. When he releases the fish, she raises a hand, and he starts making his way back downstream to her.

The air quality is poor today, “unhealthy” in the words of the National Weather Service, and on days like this Oliver requires his guides to keep a close eye on the clients, who can easily feel the effects of not only the smoke but also the elevation. “We don’t need anyone keeling over on the river,” he has told the staff, “not with the closest hospital eighty miles away.” She’s had John Thomas out on the water for hours now, since dawn, and it is nearly noon.

He splashes closer.

“Cuttie?” she asks.

“Yeah,” he says, grinning. “Big, probably twenty-five inches.”

Oliver’s words scuttle through her mind. Try a little harder. “Nice,” she says, forcing a smile. She swings her long braid over her shoulder. Even from fifty yards away she could tell that the fish had been much smaller than that.

The Sunny Creek Lodge doesn’t take reservations, but there is a tiny booth on the south corner that Roxy, the owner, is usually willing to save for Oliver’s guides, if they call ahead. It’s an ancient, run-down place that leans to the side, its log and chinking still hanging on from a previous century.

Even on a weekday, lunchtime in summer means a line is snaking its way out the door and into the gravel parking lot. Roxy and two seasonal employees are bustling their way through a dining room crammed with too many booths and tables, red trays propped on their shoulders. Two more employees are in the back, grilling burgers and slicing French fries from big brown bags of Idaho potatoes.

For lunch John Thomas orders a veggie burger topped with jalapeños and figs. He snaps a photo of the plate with his phone and then asks Emlyn to take one of him as he grins, holding it between both hands. He scowls at her bison burger with a pejorative eye.

Emlyn excuses herself from the table and walks to the counter to pay the bill. She glances at the small television, mounted in the corner above the bar, muted during lunch hour. A fast-food chain alerting its patrons of a widespread E. coli outbreak. Summer storms pummeling the Midwest. A white headline at the bottom of the screen: missing? pair of #vanlife stars goes silent.

Emlyn pulls her phone from her pocket. She messages Oliver and tells him they’ll be back soon. She hands Roxy the check and two twenties, then dumps the change in the old mason glass tip jar. She tucks the receipt in her pocket to turn in later.

And then the television flashes a snapshot of a familiar, gorgeous blonde, leaning against a towering arch in Moab, smiling, a red beanie atop her head. Another photograph: the woman again in the same red beanie, huddled next to a thick, brown-haired man, both draped beneath a bright plaid blanket, the Tetons looming starkly in the background. Emlyn goes still. Then a final photograph, the woman, sunglasses on, standing in front of a gray Mercedes camper van, holding a cast-iron skillet brimming with a glorious array of vegetables.

A chill rolls up Emlyn’s spine.

Janessa?

Just last week, her old friend had called while Emlyn was out hiking. They’d chatted for a few minutes—small talk, which was their custom these days—and then Janessa had shifted gears. “There’s something I need to tell you,” she’d said, right as Emlyn had come to one of the many inevitable spots in the area that lacked cell coverage and the call dropped. Hours later, when Emlyn again had service and called back, it had gone straight to voicemail. She’d left a message, but in the days since, she hadn’t given it much thought.

The room hums with lunchtime din: forks scraping plates, a baby slapping her hands on the tray of a high chair, a woman laughing at the corner table. “Turn it up,” Emlyn wheezes to Roxy, though the news has trundled on.

Roxy frowns and leans closer. “Sorry, what?”

Emlyn flaps toward the television, hands shaking. “The news, can you turn it up?”

Roxy slings her towel over her shoulder and searches behind the bar, sliding glasses, clinking bottles. Now, on the screen: some senator, embroiled in a scandal. When Roxy finds the remote, she holds it toward the television, turning up the volume. A patron close by looks over his shoulder and hollers to turn that garbage down, please; he is trying to have lunch in peace.

“Did you catch the story?” Emlyn asks Roxy. “The missing couple. Did you hear, did you get the names, anything?” She lifts her Buff and dabs her neck.

Roxy dries a glass and flips it upside down. “Sorry.”

“How about earlier? Before lunch? The story about the missing couple.”

“No, kinda busy here,” she says, eyebrows raised. (Roxy’s word: “plucky.”) But, looking closer at Emlyn, she tilts her head. “You all right?”

“What?”

“Here, sit down a minute.” Roxy gestures toward an empty stool.

Emlyn waves her off, searching the scrolling ticker for details. It can’t have been her, she reasons. The pictures flashed quickly; she had maybe four or five seconds to look. And it’s been years since she’s actually seen her old friend. Friend. Is that the word? Yes, of course. In fact “friend” was almost too flimsy a word. They’d been more. Confidantes, allies, sisters.

And then they’d been less.

They’d drifted apart, Janessa had moved away, they’d had a falling-out. All of these things were true, and yet they didn’t really explain what happened. Nor has Emlyn ever been entirely sure of the order in which those events occurred. She has her suspicions, of course. She has her regrets. How many times has she lamented over the ifs: if things had gone differently, if Tyler hadn’t left her in the woods, if only she’d listened to Janessa from the start, if, if—

Emlyn had hoped the two of them could make amends; she wanted to rebuild. From her point of view, that’s what the two of them were in the midst of doing, now. After a period of silence, she and Janessa had started to call each other on occasion. They sent each other birthday cards and funny Valentines. Janessa had mailed her a Christmas gift: lip balm, fancy tea, cookies in a beautiful tin.

But things had never been the same, since that summer, five years ago.

Emlyn reaches out and grips the red countertop.

John Thomas rises from the booth, scuffs his way toward her and stands far too close. “Ready?”

She blinks, struggling to reorient herself.

He flashes a wide grin at Roxy. “The burger was exquisite,” he says, and then checks his reflection in the mirror behind the bar.

“Patronizing,” Emlyn says aloud, the word swimming to her (“condescending; demonstrating a pompous attitude toward others”).

“What’s that?” John Thomas says, turning from the mirror.

Flustered, Emlyn points to the television. “That reporter,” she tells him.

On the drive back to the fly shop, John Thomas scrolls through his phone and moans about the poor reception. He talks again about his bull trout and the enormous cutthroat with which he’d ended his day on the water. Emlyn tries to listen enough to seem decent, but her mind whirls and burns.

They were two separate stories, she tells herself. Janessa isn’t missing, Janessa wouldn’t live in a van, Janessa wouldn’t post pictures for the whole world to see all the intimacies of her life.

Well. Maybe she would.

There’s so much about Janessa’s life Emlyn doesn’t know anymore.

When at last they pull into the parking lot back in Heart, Emlyn climbs out of the truck and shakes John Thomas’s hand. He asks for a photo with her, which she’s sure he’ll post online, tagging the fly shop. Oliver lives for these moments—his business has boomed since a certain movie star tagged the shop two summers ago, a fact that the guides are reminded of every June. Emlyn wants to refuse. She’s never liked the notion of people documenting their lives (and, in turn, hers) for the world to see. But, remembering that there will be a client survey, that she will have an employee review next month, she agrees. She leans her head close to John Thomas’s and forces a smile while he snaps a picture, and then says, as sincerely as she can, “I’m glad we could do this.”

Copyright © 2024 by Kimi Cunningham Grant. All rights reserved.

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About The Nature of Disappearing by Kimi Cunningham Grant:

Emlyn doesn’t let herself think about the past.

How she and her best friend, Janessa, barely speak anymore. How Tyler, the man she thought was the love of her life, left her freezing and half-dead on the side of the road three years ago.

Her new life is simple and safe. She works as a fishing and hunting guide, spending her days in Idaho’s endless woods and scenic rivers. She lives alone in her Airstream trailer, her closest friends a handsome and kind Forest Service ranger and the community’s makeshift reverend, who took her in at her lowest.

But when Tyler shows up with the news that Janessa is missing, Emlyn is propelled back into the world she worked so hard to forget. Janessa, it turns out, has become a social media star, documenting her #vanlife adventures with her rugged survivalist boyfriend. But she hasn’t posted lately, and when she does, it’s from a completely different location than where her caption claims to be. In spite of their fractured history, Emlyn knows she might be the only one with the knowledge and tracking skills to save her friend, so she reluctantly teams up with Tyler. As the two trace Janessa’s path through miles of wild country, Emlyn can’t deny there’s still chemistry crackling between them. But the deeper they press into the wilderness, the more she begins to suspect that a darker truth lies in the woods—and that Janessa isn’t the only one in danger.

Poignant, suspenseful, and unforgettable, THE NATURE OF DISAPPEARING explores what it takes to start over—and the cost of letting the past pull you back in.