We're back in Stoneham, New Hampshire, the fabled Booktown that gives this bestselling mystery series its name. It’s just a few days before the first Wine and Jazz Festival, which has several of our cast of characters in a tizzy of organization. Our heroine, Tricia Miles, is in a different sort of tizzy, however. Thriller author Steve Richardson—who she met and flirted with on the cruise detailed in the preceding book, Title Wave—is coming from out of state to the mystery bookstore she owns for a reading and signing.

Tricia isn't sure if she wants to pick up where they left off, as she knows long-distance relationships are more complicated than she has time or energy for. But any worries over her own romantic life are tossed out the window when her father shows up unexpectedly, announcing that he's left her mother and needs money and a place to stay.

John Miles’s previous visit some months earlier hadn't gone very well: he'd left abruptly with a list of outstanding debts as well as a good number of items that did not belong to him. Tricia's older sister, Angelica, is especially steamed, as she had to cover for him with the townsfolk. But then, a woman with a checkered past is found murdered right after Steve’s signing, and John becomes prime suspect.

[Recipe and pictures below!]

GIFnotes: Giving you the basic plot summary of an upcoming book with the help of the Graphics Interchange Format.

This week, take a visual tour of Cate Conte's first Cat Cafe Mystery, Cat About Town—a frisky new mystery series set in a small New England town, where an unlikely citizen is called in to solve the purrfect crime!

[Like CliffsNotes, but more fun...]

Read this exclusive Q&A with author Barry Lancet, and then make sure you're signed in and comment for a chance to win a copy of his latest Jim Brodie thriller!

I first met Barry Lancet in 2012 through the International Thriller Writers organization’s Debut Authors Program. It was an unlikely friendship, if only because Barry lives in Tokyo and I’m in Washington, D.C. But I liked his dry sense of humor and his Larry David-esque worldview. And then I read an advanced copy of his debut novel, Japantown, and was blown away by his talent. I wasn’t surprised that it later won numerous awards and citations and that the Jim Brodie series was optioned for television by J. J. Abrams. 

Learn how you can win a signed copy of Anthony Franze's latest legal thriller, The Outsider, from Goodreads!

Now, five years and collectively seven books between us, we’ve shared many laughs and misadventures. And even though he’s a notorious welcher on bets (he owes me hundreds of beers), and despite once making me brave D.C. traffic to drive him to the airport—not to catch a plane but for research for his book—he’s one of my closest friends. So it was with great pleasure that when I read his latest Brodie book, The Spy Across the Table, I loved it. Like Barry, Jim Brodie has gotten better with each book, and this one amps up the tension and political intrigue. 

When Criminal Element asked me to interview Barry, they had no idea we were close friends. And I suspect they didn’t know that would make for an unconventional Q&A:  

[Read the full Q&A below!]

Every Wednesday, we here at Criminal Element will put together a list of Staff Picks of the books that published the day before—sharing the ones that we are looking forward to reading the most!

A new Don Winslow and the 7th Dewey Andreas thriller by Ben Coes highlight a great week of books! See what else we're reading:

[See this week's Top 5...]

Set in the same world as Waypoint Kangaroo, Curtis C. Chen's Kangaroo Too is bursting with adrenaline and intrigue in this unique outer-space adventure.

Hurray! Finally, the sequel to Curtis C Chen’s hilarious and compelling sci-fi spy thriller Waypoint Kangaroo is out! The tie-in puzzle website (the first book had one too) doesn't seem to be ready yet, however, as I keep getting a “Wait for it…” notification as I tab back and forth between browser windows while I’m supposed to be writing this review. Or maybe I’m not as good at puzzle-solving as I think? Clearly, it must be the former.

Set in a future where mankind is busy colonizing the solar system, our narrator—codenamed Kangaroo—has a superpower and, so far as he and his bosses know, is the only person in the universe to have one. I’ll let him explain it in his own words, though:

[Read Doreen Sheridan's review of Kangaroo Too...]

Don't see your favorite Masterpiece Mystery series? Let us know which is your favorite in the comments below!

The Force by Don Winslow is a haunting and heartbreaking story of greed and violence, inequality and race, crime and injustice, retribution and redemption that reveals the seemingly insurmountable tensions between the police and the diverse citizens they serve.

His old priests might have told him that there are sins of commission and sins of omission, that it’s not always the things you do, but the things you don’t that cost you your soul. That sometimes it’s not the spoken lie but the unspoken truth that opens the door to betrayal.

Don Winslow has a unique voice, one that’s partly shaped by public transit. He said his chapters were short in the early days because he wrote on the train to and from work: a 21-minute ride. Yet, he persisted.

My first Winslow was The Winter of Frankie Machine, about an old wiseguy who just wants to surf but gets pulled back into the life by a mobster’s kid who wants to make a name for himself. No matter if he writes about a silverback mobster, a New York cop, a Mexican journalist, or a woman drug lord who’s twice as ruthless to keep the wolves at bay, he inhabits his characters. If you haven’t read his thriller Savages, you are missing out on a prime piece of crime fiction built on an astute knowledge of drug cartels and a mastery of character. Ben, Chon, and O are unforgettable. His epic The Cartel brings the horror of the drug war to life like no other work of art.

[Read Thomas Pluck's review of The Force...]

Last week, we ran into Stephen King in his own story. This week, Jake and Callahan load up on weapons and storm into the Dixie Pig as we close out Song of Susannah.

On September 6th of last year, we began our journey on a reread of Stephen King’s epic series—soon to be a motion picture starring Idris Elba as Roland, the gunslinger. Faithfully each week, we’ve come closer to that looming Dark Tower in the distance that holds our world and Roland’s Gilead together, and that nexus is in danger of being destroyed by the Crimson King. Okay, let’s dig into Song of Susannah, which follows the obliteration of the Wolves, as our ka-tet is weighing the options…

*Remember: While this is a reread, please avoid spoilers in the comments. The point is to get there together!

Song of Susannah sets up nicely, splitting up the break-neck pace into digestible “stanzas.” So the plan is to read a few stanzas a week (about 130 pages) and meet here at our usual time (Tuesday at 12 p.m. ET) to discuss major themes, motifs, and reactions. Make sure to bookmark the HQ page for the schedule and links to all of the chapter discussions as they go live! This week, Jake and Callahan storm the Dixie Pig as we close out the sixth Dark Tower book! Join us in the comments for a discussion of Part IV of Song of Susannah: 12th Stanza: “Jake and Callahan” – Coda: “Pages from a Writer's Journal”!

CrimeHQ's The Dark Tower Reread

[And once we start, we don’t stop until we’re dead....]

Part 5: “Case Files”

In prison, Bad Coop (Kyle MacLachlan), observing his reflection, flashes back a quarter of a century to The Great Northern Hotel where he had smashed his head into his bathroom mirror, and there was creepy BOB (Frank Silva) sneering back at him. “You’re still with me. That’s good,” Bad Coop reassures himself in the present. Later, he gets his one phone call where he teases that he will call a Mr. Strawberry—alarming the warden—before changing his mind and punching a shitload of digits. Prison sirens and lights then begin to go amok as he speaks into the receiver, “The cow jumped over the moon.”

Meanwhile, Good Coop—known to family and co-workers as Dougie Jones—continues to wander around in a stupor with words like “case files,” “agent,” and “coffee” triggering glints into his previous life. Dougie’s boss at the Lucky 7 Insurance company is perturbed with his job performance and gives him a stack of folders to complete by the following day, stipulating that his career hangs in the balance. While many of us fans are looking forward to Dale Cooper’s full return (assuming he will snap out of it), Dougie’s “Chauncey Gardiner” existence is oddly entertaining.

[Like most of David Lynch's work...]

The season finale sees the long overdue returns of Anansi and Bilquis. While Mr. Nancy (Orlando Jones) is tailoring suits for big cheese Wednesday (Ian McShane) and his henchman Shadow (Ricky Whittle), he decides he must tell a story. One of a queen. 

We get the rundown of Bilquis (Yetide Badaki), watching her status slowly fade over the centuries into modern times until she is on the streets, destitute and ailing. And here we get a peek at her alliance, seduced to the other side by Tech Boy’s (Bruce Langley) promise of a large internet following, “Worship is a volume business … Whosoever has the most followers wins the game.” As time marches on, she looks none too pleased with having made an association with Tech Boy and the new gods. By show’s end, she’s on a bus on her way to Wisconsin. Knowing the show deviates on occasion from the book, we will have to wait until next season to see where her true allegiance lies.

[As long as she doesn't swallow us with her vagina first...]

Living the same day over and over in a Groundhog Day-style nightmare is bad enough—but what if each of those days ended in your brutal murder? That’s the premise for Blumhouse’s (Split, Get Out, Whiplash) latest trippy horror thriller, Happy Death Day, in which a popular college student continues to relive the day of her death—with all its gory and terrifying details—until she finds the identity of her killer. 

Directed by Christoper Landon and starring Jessica Rothe, Israel Broussard, Ruby Modine, Rachel Matthews, and Charles Aitken, Happy Death Day premieres in October 2017, on Friday the 13th. 

[Watch the chilling trailer below!]

Behold, I bring you tidings of great joy … Grantchester has returned. And this episode, which aired in the U.K. last December, opens with a rehearsal for a Christmas pageant. Thus, the aforementioned tidings.

In the past, I’ve been harsh with hunky vicar Sidney Chambers (James Norton) and his pals, which has distressed fans of the series. So, in the spirit of the season—Season 3, if you’re counting—I will endeavor to review these episodes charitably. 

Everyone’s preparing for Christmas 1954. Sidney and the curate Leonard Finch (Al Weaver) struggle with the lights for the tree. Mrs. Maguire (Tessa Peake-Jones) is baking up a storm. Cathy Keating (Kacey Ainsworth) has her eye on a telly for the family, but Geordie (Robson Green) vetoes the idea. And isn’t Dickens the puppy a big, handsome boy now?

Yet casting a shadow over the holiday preparations is a certain elephant in the room, which everyone chooses to call “The Situation.” (You can hear the capital letters whenever it’s mentioned.)

[There is freedom only in a situation…]