Quick cuts between multiple plotlines seems to be one of the trends in episodic television, the theory being that viewers might forgot about one of the main cast members if they’re ignored for an episode or two. Or perhaps they’re worried viewers might tune out if the episode doesn’t focus on their favorite.
What’s lost is the ability to dig deeper into a character. Lost did this so well, memorably with the episode focused on Locke in season one, perhaps one of the best episodes of network television ever.
That’s the problem Heroes Reborn had for me last night. I was most invested in Noah, Quentin and Taylor’s attempt to confront Erica and Erica’s plans to commit genocide but that’s primarily because I’m invested in Noah from the previous incarnation of Heroes. Part of the reason I’m so invested is Noah? Because he received one of those spotlight episodes early on in that series.
For instance, take our Jedi and Padawan. The fact that I have to keep looking up their names (Farah and Malina) and instead refer to them as their function is a clue that they’re not fully realized characters. They’re plot devices with clichéd dialogue to toss out to the audience, like “When the moment comes, you will be ready, I promise.”
Once that line was said, I turned to my husband and said, “Well, that’s it. The mentor’s gone this episode.” And, of course, the pair was separated, with Farah’s fate in doubt, though the padawan has a mysterious letter with instructions about said saving of the world. Why these instructions couldn’t have been passed along during the trek in the Northwest woods is not made clear.
[That might have made more sense...]