One Way or Another by Elizabeth Adler is a thriller that opens aboard a luxury yacht where a woman is thrown into the ocean in a clear case of attempted murder (available July 7, 2015).
In Elizabeth Adler’s latest thriller, a young woman named Angie is bludgeoned aboard a luxury yacht, thrown overboard, and left for dead in the waters of the Aegean. Marco Polo Mahoney, famed portrait painter, is the only witness from his Turkish seaside cottage. Despite his best efforts to rescue her — or at the very least find her body — she eludes him. Soon, he is unable to get the thought of the drowning girl out of his head. This tests his relationship with London-based Martha Patrons, a multi-talented interior decorator with a lovely, irresponsible aspiring actress of a younger sister, Lucy. Martha is as practical as she is beautiful, and though she is supportive of her lover, she has other issues to deal with, such as the foreign billionaire who has recently started showing a little too much interest in seventeen year-old Lucy. Unfortunately for Martha, Lucy’s fate is set to be intertwined with Angie’s, sucking them all unwitting into a vortex of terror and death.
Hurtling rapidly from one plot twist to the next, One Way Or Another blends the glitz of an international thriller with high Gothic touches. Remarkably, this novel reminded me of Bram Stoker’s Dracula, though there is nary a supernatural element in sight in this globe-trotting tale of murder and vengeance. The villains are monstrous and mysterious, diabolical figures at odds with heroes who stand for normalcy and propriety (despite intermittent moments of weakness.) A sort of Victorian morality permeates the proceedings, with the strong, loving ties between Marco, Martha, and Lucy being the highlight of the book’s interpersonal relationships.