<i>Riot Most Uncouth</i>: New Excerpt Riot Most Uncouth: New Excerpt Daniel Friedman The first in a new series featuring Lord Byron. <i>Crooked Brooklyn</i>: New Excerpt Crooked Brooklyn: New Excerpt Michael Vecchione and Jerry Schmetterer Clean up, aisle Brooklyn. <i>Harbour Street</i>: New Excerpt Harbour Street: New Excerpt Ann Cleeves Can you tell me how to get to, how to get to Harbour Street? Now Win <i>This</i>!: Give Up the Ghost Sweepstakes Now Win This!: Give Up the Ghost Sweepstakes Crime HQ Like shoplifting in a ghost town.
From The Blog
November 23, 2015
Set Sail with Steve Berry!
Crime HQ
November 20, 2015
“You’ve Come a Relatively Middling Distance, Baby”: Signs of Shift in Female Fictional Detectives
Janice MacDonald
November 18, 2015
The ZINNG: The 10 Commandments for Crime Fiction
Crime HQ
November 4, 2015
Christopher Golden and Josh Boone Talk The Stand and The Fault in Our Stars
Christopher Golden
October 31, 2015
Perchance to Dream: Selected Stories by Charles Beaumont
Brian Greene
Nov 24 2015 11:00am

Jessica Jones Review: Season 1, Episodes 1-4

Hello! Welcome to my recaps of Marvel's Jessica Jones. I'm Dave Richards and I'll be your sort of guide as we look at the latest offering from Marvel Studios and Netflix—a series adapted and inspired by Brian Michael Bendis and Michael Gaydos's Marvel Comic series Alias, which ran from 2001-2004 and examined what happens when the world of the hardboiled shamus intersects with the fantastic realm of super powers. That's an especially fascinating combination for me since I love both super heroes and detective stories.

I was originally a fan of the ALIAS comics, and I'm huge fan of the genres it combines, so that love will of course filter into my perspective on Jessica Jones. For this initial recap, I'll be looking at the series’ first four episodes: “AKA Ladies Night,” “AKA Crush Syndrome,” “AKA It's Called Whiskey,” and “AKA 99 Friends.” I'll break down some important plot points and offer insights and observations from my perspective as a lover of both the Private Detective genre and Marvel Comics.

[Let's binge...]

Nov 23 2015 5:00pm

Set Sail with Steve Berry!

Calling all history buffs and travel enthusiasts! 

How would you like to set sail with bestselling author, Steve Berry?

Minotaur books is partnering with Oceania Cruises to bring you this exclusive opportunity to travel the Mediterranean Sea on this Thriller/Mystery Cruise with none other than Steve Berry himself!

Steve Berry is the New York Times and #1 internationally bestselling author of ten Cotton Malone novels, and four standalones. He has 20 million books in print, translated into 40 languages.

History lies at the heart of every Steve Berry novel. It's his passion, one he shares with his wife, Elizabeth, which led them to create History Matters, a foundation dedicated to historic preservation. Since 2009, Steve and Elizabeth have crossed the country to save endangered historic treasures, raising over one million dollars via lectures, receptions, galas, luncheons, dinners, and their popular writers' workshops, which to date, have been attended by over 2,800 students.  

And now, in accordance with the upcoming release of his new Cotton Malone novel, The 14th Colony (available April 5, 2016), you will have a chance to immerse yourself in the Mediterranean, while Steve and his wife, Elizabeth, take you deep into the research for his books and the history behind some of the ports of call with exclusive talks, shore excursions, private dinners, and cocktail receptions.

In addition to all of the wonderful perks during the cruise, you will receive a free advance review copy of The 14th Colony before you set sail!

The only way to reserve this exclusive offer is by calling toll free 1-800-828-4813. It cannot be reserved through other travel agencies or through Oceania.

For more information about the ship, Steve Berry, and the itinerary, visit:


Nov 23 2015 3:00pm

Something’s Amis: Colonel Sun and its Place in the James Bond Series.

It’s the 1960’s, and as the James Bond franchise is in the midst of exploding onto the scene, the author and creator of 007, Ian Fleming, dies on August 12, 1964. While Goldfinger (1964), the third Bond film drawn from Fleming’s novels about the British secret agent with a license to kill, would be released a month after his death, the eventual billion-dollar film franchise never looked back.

However, despite the success of the films, the thirst of the reading public still needed to be slaked. So, after two posthumous, Fleming-authored books were exhausted, his estate turned to what some considered an unlikely source to carry on Bond’s exploits: Kingsley Amis, writing as Robert Markham. Glidrose Productions (who held the rights to the novels) had the goal of switching out various authors under the “Markham” nom de plume.

[Word is Bond...]

Nov 23 2015 1:00pm

Happy Thanksreading!: Where will you sit at the Minotaur Thanksgiving Feast?

Why talk politics with relatives or nervously count calories this Thanksgiving when several new paperbacks from Minotaur Books are within arm's reach? Read the profiles to figure out where you sit at this table, and we'll provide a hearty recommendation to help you put your sofa time to good use!

[Where will you sit...]

Nov 22 2015 11:00am

Breaking Bad Rewatch 1.07: “A No-Rough-Stuff-Type Deal”

The comedy that had been cleverly laced within the first 3 episodes of season 1 returns in the finale, albeit with varying success, and the needle that had been pinned to 10 on the plausibility scale for the majority of this run tips to the other end on occasion as the crime drama draws to the end of its first year.

The show opens with Walter (Bryan Cranston) and Skyler (Anna Gunn) attending a public schoolboard meeting over the arrest of Hugo the janitor. For whatever reason, Walt starts diddling Skyler under the table they are seated at, and she allows him, until they are brought back to reality when Walt is called on to list the items stolen from the chemistry stockroom.

The couple later complete the act in their vehicle, in the first row of the school’s side parking lot—one space away from a cop car. When Skyler asks why it was so good, he replies, “Because it’s illegal.”

[Backseat, windows up...]

Nov 21 2015 12:00pm

Breaking Bad Rewatch 1.06: “Crazy Handful of Nothin’ ”

Walter (Bryan Cranston) lays down the law to Jesse (Aaron Paul). He’s the silent partner; Jesse’s the guy on the street.

Just as he says there’ll be no more bloodshed, we get a glimpse of the future Walter, baldheaded, walking down a crowded street full of riffraff, carrying a small bag with blood stains. He resembles Brando’s Kurtz in Apocalypse Now. Not just because of the cue-ball dome, but also his thousand-yard stare. Similar to the debut episode, series creator Vince Gilligan teases us by showing fragments of the ending first. Whatever is coming, one thing is for sure, Walt’s not going to stick to his own rules.

[Rules were meant for Breaking...]

Nov 20 2015 3:30pm

Heroes Reborn 1.10: “11:53 to Odessa"

With 3 episodes left in this “event” miniseries, we break for the holiday season being no closer to saving the world than when we began. Tommy is still without his memory or real allies, and Malina is stuck with our mass-murdering psycho, Luke. Okay, he’s reformed now, but I’m with Noah—no reason to trust this dude (though Zachary Levi is at least making me feel his pain).

“11:53 to Odessa” is more about moving pieces into place than pushing the story forward. That’s more than a bit frustrating after all the momentum of the flashback Odessa episodes.

So, where do we stand?

[Let's find out...]

Nov 20 2015 2:00pm

“You’ve Come a Relatively Middling Distance, Baby”: Signs of Shift in Female Fictional Detectives


Make sure you're signed in and comment below for a chance to win a copy of Another Margaret by Janice MacDonald, her newest in the Randy Craig Mystery Series!

Back in the 1980’s, I wrote a thesis on parody in the development of detective fiction. My central argument was that the growth of the genre was dependent on the examination and copying of previous elements in antecedent books. New writers paid homage to the writers who had come before. Newer characters were reminiscent of older characters. Dupin’s idiosyncrasies were mirrored by Holmes; Holmes’s bees became Poirot’s vegetable marrows, which in turn grew into Wolfe’s orchids. Hammett’s terseness became Chandler’s similes, which gave birth to all private eyes’ smart mouths. In my studies, one of the things noted across the board was the naming of the female detective, and what resonances and inferences were made by readers as a result. Checking through the lists of new and continuing detectives from thirty years on, things may be changing.

Names such as Kinsey, Sam, Randy, V.I., Hilary, Nikki, Jaime, Micky, Danny, Jo, Fran, Clare, Bo, Sydney, Jordan, Alex, Brodie, Charley, Benny, Jeri, Robin, Casey, Andy, and Bailey abounded in the stories of female private investigators, girl sleuths, talented amateurs, and police procedurals. And don’t forget the sidekicks, like Nancy Drew’s friend George (Don’t wave Trixie Belden’s friend “Honey” Wheeler at me as a counter argument—you’re not the person who named their first daughter Madeleine, now are you?).

[What's the reason for the change?]

Nov 20 2015 10:30am

Breaking Bad Rewatch 1.05: “Gray Matter”

Jesse (Aaron Paul) tries to get a job in sales at a realty company, but he finds his qualifications are only worthy of a human billboard. Angry and discouraged, he walks back to his car when the current dollar-bill clad sign spinner calls out to him. An old friend named Badger (Matt Jones) shares a joint with Jesse in the back alley while chatting about the old days and bemoaning their current situations. Before you can say thanks for the toke, they are joining forces to make some extra bucks by cooking up some crystal.

Badger supplies the pseudoephedrine to get them started and does little else, except dance about, goof around, eat Cheetos, and read a porno mag before passing out. Jesse takes on Walt’s fulcrum position, and he’s given a front row seat to how Walt must have felt working with him. Now dedicated to the illegal craft, he finds out devotion isn’t the only thing it takes to make the clear glass of Walter’s skill and standard. He’s created a subpar product—cloudy ‘crap.’

[Too many cooks...]

Nov 19 2015 1:30pm

Breaking Bad Rewatch 1.04: “Cancer Man”

The anticipation of just how much Walter (Bryan Cranston) planned to reveal to Skyler (Anna Gunn) at the end of episode 3 is alleviated at a family barbeque in “Cancer Man.”

The family sits around the table, sharing stories and laughing as if all is well, until Walter’s reminiscing about how he and Skyler met sends her from the table weeping, and leaves the rest of the family—Walter, Jr. (RJ Mitte), Skyler’s sister Marie (Betsy Brandt), and Marie’s husband Hank (Dean Norris)—wondering.

The secret of Walt’s illness comes out. Marie says she’ll use her connections to get him a dream team of doctors. Skyler agrees, but Walt seems less than thrilled.

Skyler makes an appointment that requires a $5K deposit on a $90K bill. Walt laments the cost, arguing the futility of putting much-needed money into a losing battle—it’d only sink the family into debt once he’s inevitably gone. That sends Junior into a tailspin, and he blasts his dad for being too blasé about dying. He scornfully chides him, “Then why don’t you just fucking die, already? Just give up and die.” Walt feels terrible for hurting his son. He agrees to the treatment and tells Skyler he’ll borrow from his retirement for the deposit. Of course, it actually comes from his first blundered meth job.

[Mo' money, mo' problems...]

Nov 19 2015 11:00am

Riot Most Uncouth: New Excerpt

Daniel Friedman

Riot Most Uncouth by Daniel Friedman is the first in a new series featuring the 19-year old Lord Byron, a brazen poet and student with questionable behavior that decides solving a murder is more important than attending class (available December 1, 2015).

1807, Cambridge, England.

A young woman is murdered in a boarding house, and nobody knows what to do about it. The volunteer watchman who patrols the streets of this placid college town has no idea how to investigate a serious crime and the private bounty hunters the girl's family has hired to catch the killer employ methods that are questionable, at best.

What Cambridge needs is a hero, and, in a situation such as this, it's very easy for a gentleman with a romantic disposition to mistake himself for one.

19 year-old Lord Byron, the outlaw poet, is a student at Trinity College, though he can only be described as a “student” in the loosest sense of the word: He rarely attends class and, instead, spends his time day-drinking, making love to faculty wives, and feeding fine cuisine and expensive wine to the bear he keeps as a pet.

Catching a killer seems like a fine diversion, however, and Byron decides that solving the crime must take precedence over other, less-urgent matters such as his failing grades and mounting debts.

Chapter 1

Whilome in Albion’s isle there dwelt a youth,

Who ne in virtue’s ways did take delight;

But spent his days in riot most uncouth,

And vexed with mirth the drowsy ear of Night.

Ah, me! in sooth he was a shameless wight,

Sore given to revel and ungodly glee;

Few earthly things found favour in his sight

Save concubines and carnal companie,

And flaunting wassailers of high and low degree.

Lord Byron, Childe Harold’s Pilgrimage, canto 1

A poet must have a keen eye for details and for feelings; for subtext and for innuendo. This same set of skills is also essential if one hopes to have any success at the pursuit and capture of murderers. The 1807 publication of Hours of Idleness, my first collection of verses, cemented my reputation as the greatest poet ever to have lived. It therefore stood to reason that I also was the world’s greatest criminal investigator.

That autumn, I was bored with my studies at Trinity College and feeling quite restless. So I was intrigued and a little annoyed when my butler, Joe Murray, informed me as I enjoyed an otherwise-pleasant champagne breakfast that a young woman named Miss Felicity Whippleby had been butchered in her Cambridge rooms. She was said to have been a quiet and well-mannered girl, and nobody could fathom what she might have done to bring such a fate upon herself.

Murder was a rare thing in Cambridge, and mystery was unheard of. I had no doubt Felicity Whippleby’s name would soon be upon the lips of every local gossip and rumormonger, people whose time would have been better spent talking about me. I resolved to put my first-rate intellect to work capturing her killer. Such a diversion would burnish my notoriety and provide a good excuse to avoid attending classes. Anyway, Cambridge was large enough to support the misdeeds of only one villain. I would not be upstaged on my own territory by a knife-wielding interloper.

[Read more of Riot Most Uncouth here...]

Nov 18 2015 4:08pm

The ZINNG: 10 Commandments for Crime Fiction

Stolen from Mount Sinai – Crime fiction has seen its fair share of variety in style and content throughout its long history, but just like any specific genre, a general archetype is often established.

Over at Sydney Morning Herald, Jane Sullivan shows us that certain pivotal authors, such as Agatha Christie and Raymond Chandler, actually produced lists of their own formal rules for crime fiction.

[Get ZINNGed...]

Nov 18 2015 12:00pm

Crooked Brooklyn: New Excerpt

Michael Vecchione and Jerry Schmetterer

Crooked Brooklyn by Michael Vecchione and Jerry Schmetterer is a harrowing, true tale of the chief of Brooklyn's Rackets Division who helped clean up the storied New York City borough (Available November 17, 2015).

Read this exclusive excerpt of Crooked Brooklyn by Michael Vecchione and Jerry Schmetterer, and then make sure you're signed in and comment for a chance to win a copy of this tale about cleaning up this NYC borough!

From 2001 to 2013, Mike Vecchione was chief of the Rackets Division in the Brooklyn District Attorney's office, which was the largest urban prosecution agency in the country. Vecchione grappled with organized crime and dirty politicians, during which he supervised, investigated, and prosecuted major felony cases.

Crooked Brooklyn is a gritty story of corruption, greed and law enforcement. Vecchione navigated a political minefield and expertly rose to the judicial challenges of directing investigations into a wide variety of crimes, from bribe-taking judges to cold-blooded killers.

Crooked Brooklyn is filled with characters and stories ripped straight from the tabloids, great for fans who enjoy Law & Order, readers of true crime and those hungry for details about the system that keeps us safe.

Chapter 1

Someone Wants Me Dead

You really need to work on your threats. I can’t tell if you are threatening me or inviting me for tea.


“SOMEONE WANTS YOU DEAD,” George barked into the phone. “Get up here right away.”

I laughed into the phone. “You’re full of it!”

I was sitting comfortably at my desk about halfway through a trial transcript, reluctant to put it down, but when George called, people listened.

“No, it’s no joke, it can’t wait! Someone wants to kill you! Get up here,” George insisted.

Supervising Detective Investigator George Terra was a serious guy, and by up here I understood he wanted me to come to his conference room on the eighteenth floor, one above me, in a well-secured part of the building. Many of the biggest cases in the office of the Kings County district attorney had their roots in that small conference room.

It’s not every day that you hear that someone wants to kill you, even for a homicide prosecutor who sometimes sends killers to the chair. On the way to the elevator I ran over some of the possible suspects. I thought of Benny Geritano’s mother. I sent him away for ten years. Previously, I had convicted his brother, her younger son. She had the right to hate me. She had stood in the courtroom and cursed me out. I never took it seriously. DAs hear that all time. But her family had the connections to make it happen. Her late husband was a Mafia enforcer who was killed when he went to collect money owed to mob kingpin John Gotti and the mark got the jump on him.

[Read more of Crooked Brooklyn here...]

Nov 18 2015 10:30am

Breaking Bad Rewatch 1.03: “...And the Bag’s in the River”

The dark humor that spiked the first two episodes of Breaking Bad is toned down in episode three to target the emotional tribulations of a man teetering on the edge of a slippery slope. It captures that pivotal moment of the line that once crossed, offers no return—and for Walter White (Bryan Cranston), that moment occurs at the end of this episode when he’s standing backlit in the doorway leading down to the basement where Krazy-8 (Max Arciniega) is locked up. It reminds me of the acclaimed final scene of John Ford’s The Searchers, when Ethan Edwards (John Wayne) pauses at the threshold, thinking about joining his brother’s family in celebrating the homecoming of their abducted daughter, but instead, he turns and walks away. It’s not his world anymore; he’s changed—not for the better—and he knows it. And here’s our Walt, crossing over that point of no return as he prepares to kill or be killed.

The centerpiece to this remarkable episode, where emotions are charged as powerfully as the mind games at play, is Walter looking for any shred of reason that’ll give him an out from killing Krazy-8.

[Will Walt find a reason or slide down that slippery slope?]

Nov 17 2015 4:00pm

Harbour Street: New Excerpt

Ann Cleeves

Harbour Street by Ann Cleeves is the 6th installment of the Vera Stanhope Mystery Series about a collection of murders that seem to be connected by one seemingly innocent neighborhood. What are the residents of Harbour Street trying to hide? (Available December 1, 2015)

As the snow falls thickly on Newcastle, the shouts and laughter of Christmas revelers break the muffled silence. Detective Joe Ashworth and his daughter Jessie are swept along in the jostling crowd onto the Metro.

But when the train is stopped due to the bad weather, and the other passengers fade into the swirling snow, Jessie notices that one lady hasn't left the train: Margaret Krukowski has been fatally stabbed.

Arriving at the scene, DI Vera Stanhope is relieved to have an excuse to escape the holiday festivities. As she stands on the silent, snow-covered station platform, Vera feels a familiar buzz of anticipation, sensing that this will be a complex and unusual case.

Then, just days later, a second woman is murdered. Vera knows that to find the key to this new killing she needs to understand what had been troubling Margaret so deeply before she died - before another life is lost. She can feel in her bones that there's a link. Retracing Margaret's final steps, Vera finds herself searching deep into the hidden past of this seemingly innocent neighborhood, led by clues that keep revolving around one street...

Why are the residents of Harbour Street so reluctant to speak?

Chapter One

Joe pushed through the crowd. It was just before Christmas and the Metro trains were full of shoppers clutching carrier bags stuffed with useless presents. Babies were left to scream in expensive buggies. People who’d been drinking early spilled out from office parties, stumbling down the escalators and onto the trains. Youths used language Joe wouldn’t want his children to hear. Today, though, he’d had no option about using the Metro. Sal had been adamant that she needed the car.

It was just him and his daughter. She was in the school choir and there’d been a performance in Newcastle Cathedral. Carols by candlelight, because even at four o’clock it was dark in the building. Beautiful singing that made him feel like crying. His boss, Vera Stanhope, always said that he was a romantic fool. Then out into the rush-hour evening, and it was just starting to snow, so Jessie was excited all over again. She was a soloist and had hit all the right notes, so the choirmaster had given her a special mention at the end. Christmas was only ten days away, though she was too old now to believe in Santa. But there was snow. Tiny little flakes twisting in the gusty wind like mini-tornadoes.

[Take a stroll down Harbour Street...]

Nov 17 2015 12:30pm

Now Win This!: Give Up the Ghost Sweepstakes

Are you dying for some new books? Well, Give up the Ghost and register to win!

Click here to enter for a chance to win!

This is NOT a Comments Sweepstakes. You must click the link above to enter.

NO PURCHASE NECESSARY. A PURCHASE DOES NOT INCREASE YOUR CHANCE OF WINNING. Sweepstakes open to legal residents of 50 United States, D.C., and Canada (excluding Quebec), who are 18 years or older as of the date of entry. Promotion begins November 17, 2015, at 12:30 pm ET, and ends December 1, 2015, 12:29 pm ET. Void in Puerto Rico and wherever prohibited by law. Click here for details and official rules.

[Like shoplifting in a ghost town...]

Nov 17 2015 10:00am

Breaking Bad Rewatch 1.02: “Cat’s in the Bag”

The Breaking Bad pilot laced different types of humor into what essentially could have been a heartrending drama of a man, Walter White (Bryan Cranston), finding out he has a cancerous death sentence—if it weren’t for his unorthodox and decidedly criminal stab at providing for his family. Series creator Vince Gilligan didn’t stop with the opener. As the writer of the first three episodes of season one, he continued to stir Walter’s life deep into a black-comedy cauldron in episode two’s “Cat’s in the Bag.”

The episode begins with Walt and his new sidekick Jesse Pinkman (Aaron Paul) amazed by their incredible luck. A passing Good Samaritan (albeit a hulking, poker-faced man who accepts a wad of dripping cash) pulls their RV back on the road and the engine finally coughs over after first appearing to be flooded. Not to mention, they’ve just bested two killers. But you can’t have your yang without the yin—as Walt drives away from the crash site, our miscreants hear rustling from under the tarp in the back of the RV. One of the drug dealers that Walter had “snuffed out” with a toxic mix of chemicals that created phosphine gas is still alive. Against Jesse’s vehement disapproval, they take the RV to his house to dispose of the dead Emilio (John Koyama) and figure out what to do with Krazy-8 (Max Arciniega) who somehow survived.

[What's the fate of Krazy-8? Let's find out...]

Nov 16 2015 3:30pm

American Blood: New Excerpt

Ben Sanders

American Blood by Ben Sanders introduces Marshall Grade, an ex-NYPD officer living in witness protection and caught up in the disappearance of a local girl (available November 17, 2015).

After a botched undercover operation, ex-NYPD officer Marshall Grade is living in witness protection in Santa Fe, New Mexico. Marshall's instructions are to keep a low profile: the mob wants him dead, and a contract killer known as the Dallas Man has been hired to track him down. Racked with guilt over wrongs committed during his undercover work, and seeking atonement, Marshall investigates the disappearance of a local woman named Alyce Ray.

Members of a drug ring seem to hold clues to Ray's whereabouts, but hunting traffickers is no quiet task. Word of Marshall's efforts spreads, and soon the worst elements of his former life, including the Dallas Man, are coming for him.


Sometimes at night he lay awake and thought of his dead.

Sins of others but they still robbed his sleep. That boy they’d left in South Brooklyn. That blown tail job in Koreatown. Midtown South Precinct said the transfusion almost saved him. What a prospect: the Big Exit, morphine and someone else’s blood in your veins.

Sins of others, but he’d still borne witness.

Complicit. They were still his dead.

[Continue reading American Blood by Ben Sanders...]

Nov 16 2015 12:00pm

Breaking Bad Rewatch 1.01: “Pilot”

This is a rewatch, so be prepared that spoilers will land with all the romance of the Saint Valentine’s Day Massacre. 

An RV is ripping across the Arizona desert, driven by Walter Hartwell White (Bryan Cranston), who’s wearing nothing but his underwear, shoes, and a gasmask. Slumped forward on the dashboard, in the passenger seat, is a second individual, also sporting a mask. In the back of the RV, there are two bodies sliding about the floor like dead fish in a shallow pool of meth-lab chemicals, as broken glass and other paraphernalia swirl around them. With his gasmask fogging up, Walter crashes along the roadside. He stumbles out of the side door and throws off the mask, gasping for breath. In the distance, sirens are screaming, closing in on him. He hurriedly leaves a video message for his family, then stands in the middle of the road, arm outstretched with a handgun aimed at what’s coming.

It’s hard to imagine a more appropriately—excuse the pun—combustible opening to a series that’s now widely regarded as one of the finest in television history. The desperation in Cranston’s expressions is palpable as he fumbles with the recording device to set the record straight for his family. It’s the scene of a man, alone and troubled, driven to brutal acts of violence that his conscience denounces but are inevitable. Listen for the break in his voice as his hand covers the lens, finding it hard to tell his son that life is coming to an end. No mistaking it, Breaking Bad digs deep into the human motivation of a man on the brink of chaos. After the title credits (which ingeniously highlights letters from the periodic table of elements), the pilot jumps back three weeks to show the gradual unravelling of Walter, his questionable decisions, and the consequences that bring him to standing in his tighty-walter-whiteys in the blistering heat.

[Let's start the journey here]

Nov 13 2015 11:30am

Heroes Reborn 1.09: “Sundae, Bloody Sundae”

Last week, I wished for more character development from the mustache-twirling villain of Heroes Reborn, Erica. I’m not sure viewers got that, but we sure got something.

In a scene straight out of Game of Thrones, Erica shot and killed a deer and was later seen butchering it.

I guess this was meant to show the depths of her commitment to letting the worldwide disaster take place and thus ensure the survival of a hand-picked number of the human race but it was so weirdly out of place that it colored what was mostly a fine episode.

Why did a deer decide to wander in front of Erica’s home? Why did she happen to have a rifle handy? Isn’t there a law against weapons discharge in a public place? And what the heck was the overall point of the scene, save to inspire me to a possible Erica/Tywin Lannister fanfic in my head? (They bond about irresponsible children and the joys of killing and butchering one’s own food.)

[She better lock her bathroom...]