
At age nine, I became hooked on the legal/mystery series Perry Mason, then in its fourth year on CBS. The first episode of season 4 aired on September 17, 1960. Despite what the calendar said, it was culturally still the 1950s. Dwight Eisenhower was president (John F. Kennedy would be elected six weeks later). Most television, including Perry Mason, was shown in black and white. Mason’s top assistant, the beautiful, intelligent Della Street, would remain a secretary forever, and presumably a virgin though she was pushing forty. Private investigator Paul Drake chain-smoked through each episode. The police didn’t Mirandize arrestees because the Miranda decision wouldn’t come down until 1966. And network television portrayed attorneys as heroic defenders of justice working in a system that was essentially fair. The fictional Mason never represented a guilty client and won every case.









Graveland by Alan Glynn is a thriller set in the world of Wall Street high finance (available May 28, 2013).
Anyone who knows me will tell you that food is right at the top of my priorities in life. Follow my Twitter feed, and you’ll notice that probably a full 25 percent of my tweets are related to eating. Still, there are things that seem extreme even to me, like beating a chef to death over a $30 meal.
The Caretaker by A.X. Ahmad is a debut thriller involving scandal, political corruption, and men with pasts they would prefer not to revisit (available May 21, 2013).
Criminal enterprises are dangerous, no, really, I heard that somewhere. The risks of the job, though, are part of the deal. Hardly a criminal would balk at the prospect of being arrested or facing a prison sentence. It’s a risk; always has been, always will be. The job itself isn’t the only risk, though. Criminals have a need to go about their work in secret, and the only thing worse than getting arrested on the job getting arrested before the job.
R.I.P.D. City of the Damned by Jeremy Barlow, Peter M.Lenkov, and Tony Parker is an anthology billed as a prequel to the R.I.P.D. comic book series and the upcoming feature film starring Jeff Bridges and Ryan Reynolds (available May 28, 2013).
I tend to get on kicks. I ran through Homeland Season 1 in three days and then moved on. I became obsessed with baseball for a summer and then moved on (mostly). I spent one summer in high school reading every Ian Fleming and Doc Savage book ever. And then I moved on. I saved all of John le Carré’s novels until this last winter. And then I read them all back to back. And I’ve moved on. Now I’m reading every book I can find on the history of Special Operations throughout history. And I’m sure I’ll move on.
Smarty Bones by Carolyn Haines is lucky number thirteen in the Sarah Booth Delaney humorous private eye series (available May 21, 2013).
As a kid I, along with most of the rest of the country, watched the made-for-TV movie Born Innocent. If you don’t know that film, it’s a 1974 title that stars Linda Blair as a once “normal” teenage girl who, mostly due to her parents’ cruel indifference, goes down a path that leads to the hell of life inside a girls’ reform school. At that time I wasn’t familiar with the concept of camp entertainment, or that there were whole subgenres within that realm that had to do with babes behind bars and reform school girls. Born Innocent was just the big TV movie that everybody was talking about that week, and it starred that girl who’d been in The Exorcist, and I wanted to see it.
HBO recently announced it was picking up a 7-part series called Criminal Justice starring James Gandolfini as an “ambulance-chasing New York City attorney who gets in over his head when he takes on the case of a Pakistani accused of murdering a girl on the Upper West Side,” according to 


Cuts Through Bone by Alaric Hunt is a contemporary PI novel in the classic PI novel style (available May 14, 2013).
In Shotgun Lullaby by Steve Ulfelder, Conway Sax must help a recovering substance abuser who reminds him a little too much of his estranged son (available May 14, 2013).
They say you can’t judge a book by its cover, well with Kate Bufton that is certainly true! She sees books as much more than a mere storage area for words and ideas, but as the starting point for some incredible pieces of artwork.










