The penultimate episode of the season started with a bang and barely came up for air as writer Sarah Nicole Jones scrawled another corker of a show that had me satisfied almost to the end.

Editor's Note: We feel free to put episode spoilers in after the jump, but at this point in the season, it's become almost all spoilers, so there's nothing left!

[Read on if you dare...]

In the new trailer for the upcoming film Nightcrawler, Jake Gyllenhaal plays Lou Bloom, an aspiring journalist who speeds around the the streets of Los Angeles in the middle of the night looking to get to the scene of the crime before anyone else. Gyllenhaal conveys an intensity in this voice-overed trailer, but it's not the same type of intensity he's used in some of his recent films like Prisoners and End of Watch. I found myself suspicious of Gyllenhaal's character, comparing him to Scott Templeton in Season 5 of The Wire. And my suspicions were furthered by the last shot of the trailer, a long take on Gyllenhaal's face as he puts on a creepy smile. Nightcrawler hits theaters October 17.

Episode 3, “Gone Smooth”, opens with a truly Extreme Makeover. While sweeping classical music plays in the background, a man who most certainly isn’t a man sets to work affixing a fake nose over the gaping hole in his face. Glues a foam neckpiece over some disturbing folds. Attaches rubber ears and inserts normal dentures over serrated teeth. And adds a layer of healthy flesh tones over his corpse-gray skin. The transformation complete, he adjusts his tailored suit and brushes his shoulders clean with a satisfied smirk.

Of course the man is none other than Herr Eichhorst. Fitting, that a Nazi pretending to be otherwise to the outside world is also a monster pretending to be a man.

At the CDC headquarters, not even the higher ups are sure what happened to the missing bodies. Knowing how inept government agencies can be, they assume that the military has gotten involved and is perhaps mixed up in the cover-up. Not a bad guess, really, except it allows everyone to turn a blind eye to the truth. Thinking the situation out of their hands, Eph’s boss at the center assures him to forget what’s happened. It’s none of their concern any more.

[Well that doesn't seem like the best way to act...]

The “Big Four” has a particular meaning in this episode of Poirot, but to those of us who love him as played by David Suchet, the “Big Four” can only refer to Captain Hastings (Hugh Fraser), Chief Inspector Japp (Philip Jackson), the inestimable Miss Lemon (Pauline Moran), and the brilliant Belgian himself. (No offense to George the butler, but how often does he actually leave the flat?)

To my delight, and perhaps to yours, Captain Hastings, Miss Lemon, and Japp—as well as George (David Yelland)—all appear in the opening minutes of this episode.

To my horror, and perhaps to yours, they all were preparing to attend Poirot’s funeral.

“Pourriez-vous répéter, s'il vous plaît,” you say.

I repeat: Oui, mes amis, Poirot’s funeral.

A few seconds later we are transported to a date four weeks earlier to learn how an affair so tragique could have occurred.

[It is news so devastating as to be unthinkable...]

The island perches among canals south of Mexico City, and didn't start out moth-eaten, mold-covered, and terrifying... probably.

The story goes that the island’s only inhabitant, Don Julian Santana, found the body of a drowned child in the canal some 50 years ago. He was haunted by her death, so when he saw a doll floating by in the canal soon after, he hung it in a tree to please the girl. He hoped to both appease her tortured soul and protect the island from further evil.

But now, he's passed on—by drowing in the same canal *shudder*—and the hundreds and hundres of well-intentioned tributes hung, tied, and nailed in the trees have become, um, scary enough to attract tourists. Read more about it and see many more photos at WebUrbanist.

To celebrate the 70th anniversary of film noir’s landmark year, we’re looking at the six key films of 1944: Double Indemnity, Laura, Murder My Sweet, Phantom Lady, When Strangers Marry, and The Woman In the Window. The first film we looked at Billy Wilder’s adaptation of James M. Cain’s Double Indemnity. Today we look at Otto Preminger’s film of Vera Caspary’s Laura.

[Let's go take a look...]

No, this is not a still for BBC's Sherlock. This is an image from the upcoming Oscar's hopeful The Imitation Game, starring Benedict Cumberbatch, Keira Knightley, and Charles Dance.

Set during WWII, Cumberbatch plays Alan Turing, the man famously known for breaking the enigma code and allowing the Allied Forces to thwart Germany. Knightley plays fell0w code-breaker and possible love interest Joan Clarke. And Charles Dance, fresh off his remarkable run as Game of Throne's Tywin Lannister plays Commander Denniston, an apparent antagonist with no patience for the slow art of codebreaking.

The Imitation Game will hit theaters November 21, 2014, right in time for Oscar season. Could this be the next The King's Speech, or will it go the way of J. Edgar?

Well Read, Then Dead by Terrie Farley Moran is the first book in the Read ’Em and Eat cozy mystery series (available August 5, 2014).

I picked up Well Read, Then Dead having read several of Terrie Farley Moran’s short crime stories and curious about how she would handle the longer format. Immediately, I was drawn into the world of Sassy Cabot and Bridget Mayfield and their bookstore and bakery, Read ’Em and Eat in Fort Myers Beach, Florida. I went to Florida [mumble] years ago, but I’ve never been to Fort Myers Beach, but this book definitely made me want to visit!

It’s not just the scenery one wants to visit reading Ms. Moran’s book. Her characters are amusing and lively, described clearly without overly many tedious details. Take Judge Harcroft, who spends his mornings at the Read ’Em and Eat and being, well, somewhat annoying, especially to the Books Before Breakfast Club.

[Can't we just read in peace?!]

Atmosphere is such an important aspect of movies. I’ve never attempted to make a film, so I can’t intelligently discuss the techniques involved in pulling off this vital part of the endeavor, but I know quality cinematic atmosphere when it crosses my path. If someone asked me to explain what I mean by this facet of movies, I might either try to describe it verbally, or I might just sit them down and have them watch the 1971 erotic/gothic vampire film Daughters of Darkness.

The spellbinding atmosphere in the movie is there from the opening scene and is strong enough to keep a hold over a bewitched viewer throughout the duration of the story. It’s there in the mesmerizing speaking voice of Delphine Seyrig, who plays an ageless and exotic Hungarian countess who also happens to be a lesbian vampire who feeds off the blood of young girls. The mood is present in the striking physical beauty of Valerie (played by Danielle Ouimet), a young Swiss woman who is unlucky enough to, while on her honeymoon, wind up staying at the same hotel where the Countess decides to stop. It’s in the stormy soul of Stefan (John Karlen), Valerie’s new husband, a blue-blooded Englishman who’s a nice enough guy most of the time but who is prone to sudden and inexplicable violent outbursts and who is drawn to the Countess in a love/hate sort of way. And the atmosphere exists in the personality and look of Ilona, the Countess’s personal secretary and co-drinker of young female blood: Ilona is a moody/sexy Goth girl who is constantly both on the brink of suicidal despair yet ready to seduce somebody.

[Watch out!]

“Weird Al” Yankovic is known for his puns and parody. For his latest album release, Weird Al released a music video a day including the above song—“Word Crimes.” It's based on the controversial song, “Blurred Lines” by Robin Thicke and might help you get a better grade in grammar class...or remind you that you have to commit murder for those who commit word crimes in your presence. Listen with caution, and prepare to call the grammar police!

This year film noir turns 70. While there had been some intermittent films leading up to the birth of the classic noir, in 1944 the dahlia bloomed with six key films: Double Indemnity, Laura, Murder My Sweet, Phantom Lady, When Strangers Marry, and The Woman In the Window. In these films you have many of the key figures in noir making some of their first forays into the genre (directors Billy Wilder, Otto Preminger, Fritz Lang, and Robert Siodmak; writers Raymond Chandler, Cornell Woolrich, Vera Caspary, Phillip Yordan; actors Robert Mitchum, Barbara Stanwyck, Joan Bennett, Dana Andrews—just to name a few). This onslaught of darkness came in the wake of the bleakest days (from the American perspective, anyway) of WWII. The basis of many of these films were older properties but it is the way these films came out—physically darker, psychologically denser, and ultimately more pessimistic—that marks the real birth of film noir. This post kicks off a new series which will explore these six landmark films.

[Up first, Double Indemnity...]

Let’s be honest, it is certainly one thing to get caught with a smoking gun in your hand, but it is quite another to get caught with a buzzing vibrator in your baby’s stroller.

That’s just what happened to South Carolina resident, Misty Ann Lee, after she attempted to steal a sex toy from the “love section” of a Spencer’s gift shop by hiding it in her child’s stroller. Yes, a baby stroller!

It went down like this: one of Spencer’s employees watched the woman take the item “from the love unit.” She then walked to another section and slipped the device “behind a young child in the stroller,” as reported by the Smoking Gun.

After the woman left the store the employee quickly followed and confronted her. “Lee looked like she didn’t know what she was talking about and then she retrieved the merchandise from the stroller,” according to the official police report.

The suspect attempted to re-enter the store, at which point the Spencer employee called the cops. Lee was charged with shoplifting and then released on a $2,000 bond. The vibrator was safely returned.

“Harvest” picks up where we left off with Walt Longmire (Robert Taylor) receiving care for a flesh wound and Vic looking genuinely drained from her hellish experience as a captive.

When Walt and Vic hugged in the hospital, my wife said to me, “I can see them as a couple,” and I had to finally agree. The relationship happens in Craig Johnson's series of novels from which the show originates, and it seems like it’s time on the TV series. But, like water in a dam rising to the occasion, we are kept waiting again, because Vic’s husband Sean (Michael Mosley) has given her an ultimatum to quit her job in two weeks or they’re done. When Branch Connally (Bailey Chase) broke into Vic’s house in last week's episode, I was thinking, you’re going to be in a world of hurt when she finds out. Sure enough, in this episode, Vic (Katee Sackhoff) tears Branch a new one and lays everything wide open.

[A bumper crop of spoilers and angst ahead!]

This sweepstakes features work by five hard-hitting (and hard-covered) books!

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[See what's in the bundle!]

The final episode of Endeavour Series 2 was a corker.

We don’t do spoilers on Masterpiece Mystery programs, but I would suggest that you go and watch “Neverland” right now if you haven’t already. Then go back and watch it again, knowing what you know. It’s better the second time.

We begin, as we tend to do, with a montage of characters and situations: DI Thursday is in for his physical exam; a young man, who bears a passing resemblance to Morse himself, is in prison; an Oxford professor lectures on the Siege Perilous in the legend of the Knights of the Round Table; a ventriloquist prepares for a Vaudeville-style show; there’s a benefit for the Police Widows and Orphans; and Morse is in the choir singing “as it was in the beginning, is now, and ever shall be.” There’s so much going on that Colin Dexter’s cameo flashes by within seconds of the episode’s start.

Then the prisoner escapes, a young boy runs away from home, and Thursday and Morse are off and running.

[Plus ça change as they say...]