This post can be seen as the third in a trilogy of appreciations I’ve written of B-movies that involve packs of women employing bizarre, world-beating (they hope) masterplans. First there was Invasion of the Bee Girls, about some ladies who lure men into sexual encounters then turn into buzzing creatures during the act and leave the fellas dead. Then I covered The Female Bunch, the story of some pissed-off babes who are fed up with the male population and construct a female-run ranch commune that doubles as a drug-smuggling headquarters. And now I’m here to discuss the 1973 grindhouse cult romp Wonder Women, in which, again, some ladies set up a self-contained world wherein they carry out odd operations.
The plot of Wonder Women is loopy, as is true of many exploitation films from this era. But, here, I’ll have a go at summarizing its storyline: 14 prized athletes from around the world suddenly disappear, over a short span of time. The general assumption is that they were kidnapped, but nobody comes forward to claim the adductions or demand ransom. Hmm. It turns out the guys have been put into comatose states and shipped to an island retreat in the Philippines, this center run by a Dr. Tsu: a disgraced lady physician turned mad scientist (“100 years ahead of her time”), played by exotic beauty Nancy Kwan. What Tsu’s up to at her freaky complex is – with the help of a bevy of go-go boots-wearing, machine gun-toting honeys – managing an organ transplant clinic. She takes vital parts out of one captive’s body and puts them in somebody else’s. Sometimes she executes these operations just as experimental play, to see what will happen if you, say, swap brains between two people. But mostly she’s after money. She lures in rich clients who will pay to trade vital parts with more fit persons; thus, the need for super-bodied athletes. So, for instance, there’s one wealthy old geezer who’s going to pay Tsu mad bucks to have his brain inserted into the body of a jai alai player Tsu and her girls have captured.