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Lost Classics of Noir

False Starts: A Memoir of San Quentin and Other Prisons by Malcolm Braly

By Brian Greene

February 11, 2016

Previously, I wrote an appreciation of Malcolm Braly’s 1961 prison novel Felony Tank as part of my Lost Classics of Noir series for Criminal Element. I singled out the book for being a noteworthy and under-appreciated work of edgy crime fiction, as well as a standout tale about life behind bars. There’s a reason—besides his…

Fast Paced and Expensive Tastes: The Money Trap (1965)

By Brian Greene

July 15, 2015

I’ve written about one of Lionel White’s novels here before (The Big Caper), and now I’ve got some thoughts about a film based on one of his books. White is seen by many noir aficionados as a master of the heist story. Stanley Kubrick made the author’s 1955 novel Clean Break into the classic film…

Lost Classics of Noir: The Big Heat by William P. McGivern

By Brian Greene

March 23, 2015

I first saw Fritz Lang’s 1953 film noir The Big Heat decades ago, and I just viewed it again this week. This time I watched it immediately after reading William P. McGivern’s novel of the same title. This is the latest in my series of posts where I rave about an underappreciated noir novel while…

Felony Tank by Malcolm Braly -- A Lost Classic of Noir

Lost Classics of Noir: Felony Tank by Malcolm Braly

By Brian Greene

February 6, 2015

Life inside prisons makes for interesting stories. I wouldn’t know where to begin in reeling off some of the more compelling books, movies, and TV shows that have explored this world. But having just read Malcolm Braly’s 1961 prison novel Felony Tank, I can add it to my personal list of favorite jail tales. It…

Lost Classics of Noir: Whip Hand by W. Franklin Sanders (and/or Charles Willeford)

By Brian Greene

November 24, 2014

In case you’re confused by the author credit in the heading here, let me just say that I join you in your befuddlement. This 1961 noir novel was originally published as a Fawcett Gold Medal paperback original, with W. Franklin Sanders tagged as the writer. But over time it came to be revealed that Charles…

Lost Classics of Noir: Criss-Cross by Don Tracy

By Brian Greene

October 31, 2014

So this is the next in my line of posts where I’m going to write about an underappreciated vintage noir novel, and in so doing, discuss a movie that was made from its story (sometimes it’s the other way around, but you get the idea). Robert Siodmak’s 1948 (referenced as ’49 in some places) film…

Lost Classics of Noir: Build My Gallows High by Geoffrey Homes

By Brian Greene

September 11, 2014

I didn’t set out to make a habit of, when writing appreciations of books for this site, also commenting on movies that were made from the novels. Ditto discussing the books that were converted into the films I cover. But oftentimes it just makes sense to do this. There’s usually something interesting in the connection…

Lost Classics of Noir: The Baby Doll Murders by James O. Causey

By Brian Greene

August 20, 2014

We noir heads love the covers of the classic paperback editions of what we now call pulp fiction. You know, the ones with the deliciously lurid images and the zinging plot teasers. The funny thing about the zingers is that, as often as not, they are misleading in giving an indication of the story’s actual…

Pulp Nonfiction: A Guide to Studying Hardboiled Crime

By Jake Hinkson

May 11, 2014

You know you’re officially a mystery fanatic when you start reading books about books. Luckily, over the years many studies of hardboiled and noir crime fiction have been published to meet the needs of just these kind of fanatics. Here’s a short guide to some of the best. 1. “The Simple Art of Murder” by…

A Curious Lost Classic of Cinema: Road to Salina (1970)

By Brian Greene

April 25, 2014

There’s enough curious tidbits about the 1970 movie Road to Salina to fill up the space of this article, if we wanted to delve fully into those items. But the film itself needs to be discussed so I’ll suffice with a quick overview of some of those interesting notes. It was the last movie acted…

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