Thu
Jul 20 2017 10:00am

Adam Christopher Excerpt: Killing Is My Business

Adam Christopher

Killing Is My Business by Adam ChristopherKilling Is My Business by Adam Christopher is the second book in the Ray Electromatic Mysteries series (available July 25, 2017).

Another golden morning in a seedy town, and a new memory tape and assignment for intrepid PI-turned-hitman—and last robot left in working order—Raymond Electromatic. But his skills may be rustier than he remembered in Killing Is My Business, the latest in Christopher's robot noir oeuvre, hot on the heels of the acclaimed Made to Kill.

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Vaughan Delaney was a planner for the city of Los Angeles. He occupied a position high enough up the ladder that entitled him to an office at an equally high altitude in a tall building downtown that was home to a number of other local government desks. The office came with a salary that was high for a city employee but nothing to write a favorite uncle about, and a view that was simply to die for.

Vaughan Delaney was forty-two years old and he liked suits that were a light blue-gray in color. He carried a buckskin briefcase that wasn’t so much battered as nicely worn in. On his head he liked to position a fedora that was several shades darker than his suit. The hat had a brim that looked at first glance to be a little wide for the kind of hat that a city planner would wear, but Vaughan Delaney did not break the rules, neither in his job nor in his private life. He had a position a lot of people envied, along with the life that went along with it, and he stuck rigidly within the boundaries of both.

Actually, that wasn’t quite true. Because the one thing that didn’t fit Vaughan Delaney was his car.

His car was a 1957 Plymouth Fury, a mobile work of art in red and white with enough chrome to blind oncoming traffic on the bright and sunny mornings that were not uncommon in this part of California. The machine had fins like you wouldn’t believe and when the brake lights lit you’d think they were rocket motors. It was the kind of car you could fly to the moon in, only when you got to the moon you’d cast one eye on the fuel gauge and you’d pat the wheel with your kidskin-gloved hand, admiring the fuel economy as you pointed the scarlet hood off somewhere toward Jupiter and pressed the loud pedal.

It was a great car and it was in perfect shape. Factory fresh. It was getting on for ten years old but Vaughan Delaney had looked after it well.

And, I had to admit, that car caught my optics. It wasn’t jealousy—I liked my own car well enough, a Buick that was a satisfying ride, functional and elegant and with a few optional extras you wouldn’t find outside a science laboratory.

No, what I had for the red Plymouth Fury was something else. Admiration, and admiration for Vaughan Delaney too. He was every element the city man but that car was a jackrabbit. Perhaps it was his mid-life crisis. Perhaps he was telling the city to go take a jump while he sat shuffling papers in his nice office with his sensible suit and practical hat. Look what I get to drive to the office in the morning, he said. Look what I get to drive out to lunch every Wednesday. Look what I get to drive home in the evening. It was the kind of car that people would lean out of the office windows to take a look at, and Vaughan Delaney did every bit to help, the way he parked the red-and-white lightning bolt right outside the office door.

Because Vaughan Delaney had reached a certain level within the city hierarchy that allowed him to pick his own secretary based on the color of her hair and the length of her skirt and he was not a man who had to walk very far from his car to his desk.

He was also a family man. When the Plymouth Fury wasn’t outside the office or being driven to lunch on Wednesdays it lived in a two-car garage that sat next to a modest but modern bungalow in Gray Lake. Next to the Fury was commonly parked a yellow vehicle that General Motors had shooed out the door without much of a fuss, a rectangular lozenge on wheels with whitewall tires shining and seat belt tight and the sense of humor removed for safety reasons.

This was not a car to take much of an interest in. It belonged to Vaughan Delaney’s wife. Her name was Cindy Delaney.

Cindy Delaney loved her husband and let him know by kissing him on the cheek each and every morning before her husband went to work. The children loved him too. There were two of those, a boy and a girl, and both of them had blond hair like their mother and they were both a decade shy of joining the army and both of them kissed their father on the cheek each and every morning like their mother did, the only difference being that Vaughan Delaney had to go down on one knee so they could smell his aftershave. Then he blasted off in the Plymouth Fury and the quiet street in Gray Lake was quiet once more until Cindy Delaney took the children to school in the yellow boat and then came back again twenty minutes later. Then she put on a housecoat to keep her dress clean and she drove a vacuum over the bungalow while her husband drove a desk down in the city.

They were a nice family. Middle class, middle income, middle ambition. The children would grow up and the boy would play football at high school with his parents watching and the girl would play flute in the school orchestra with her parents watching and all was right with the world.

I knew all of this because I’d been watching Vaughan Delaney for three weeks. I’d been to the street in Gray Lake and had sat in my car and I’d watched life in and around the bungalow. I’d been to the office building downtown and had sat in my car and watched the Plymouth Fury come in for landing and Vaughan Delaney hop, skip, and jump up the stairs into the building and then waltz down the same steps some eight hours later.

Vaughan Delaney looked like a swell guy with a good job and a nice car and a happy family.

It was just a shame that he had to die.

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Copyright © 2017 Adam Christopher.

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Adam Christopher is a novelist and comic writer. Made to Kill was an Indie Next Pick. His debut novel, Empire State, was a Financial Times Book of the Year, SciFiNow's Book of the Year, and nominated for the Sir Julius Vogel Award.

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