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Peter Foy

The Dark Knight: Looking Back at Christopher Nolan’s Superhero Crime Epic

By Peter Foy

July 18, 2018

It’s hard to believe it’s been a full decade and three presidential administrations since the summer of 2008, the movie season that bestowed upon us The Dark Knight. Honestly, the memories one can have of this time—both for fanboys and the uninitiated—still feel so fresh. Christopher Nolan’s second Batman film was accumulating massive amounts of…

Review: Hereditary (2018)

By Peter Foy

June 18, 2018

Ari Aster’s debut film, Hereditary, is a horror film in more than one sense of the word. Yes, it is a genre piece with visceral scenes of carnage, a storyline tinged with the supernatural, and the possible involvement of a cult. But aside from these basic building blocks of horror, Hereditary is a horror movie…

Review: Hotel Artemis (2018)

By Peter Foy

June 11, 2018

Going into Hotel Artemis, one might be inclined to admire it just on premise alone. A pulpy crime thriller with a cyberpunk setting is not too commonly done in cinema, and in a world where box-office draws consist mainly of remakes, reboots, sequels, and superhero redundancies, Hotel Artemis is even more commendable for the fact…

Barry: Why HBO’s Hitman-Turned-Actor Could Be the Next Great Fictional Criminal

By Peter Foy

May 31, 2018

HBO’s new series Barry might very well be a shoe-in for best new show of the year. The breezy and enjoyable first season offered viewers eight high-quality episodes with big laughs and consistently surprising scripts. Furthermore, fans of hardboiled narratives will find a rather idiosyncratic take on pulp here, as while Barry is a comedy,…

Unsane: What Steven Soderbergh’s Latest Means for the Future of Film

By Peter Foy

May 24, 2018

Unsane is a movie about a woman being held against her will in a mental institution. That’s pretty much it—the best way to describe it. It’s not an arthouse release, a high-brow picture, or even considerably experimental (at least in terms of narrative arc). It’s an occasionally schlocky thriller with a screenplay that feels like…

Review: Revenge (2018)

By Peter Foy

May 21, 2018

In the months after the #MeToo movement—the social media campaign that outed a small legion of powerful men across the world of politics and media—the sense of shock is still lingering, but there’s also a gestation of thought that’s arisen: how will entertainment itself commentate on these accusations? There have already been high-profile announcements, including…

The End of the F***ing World, and I Feel Fine

By Peter Foy

February 2, 2018

It doesn’t take long to ascertain what the British series The End of the F***ing World (readily available to stream through Netflix) is aspiring to be. Just from its NSFW (albeit censored) title, one can judge that the show already has a bit of a punk gene to it. From the opening scene where protagonist…

Search Party: Why the TBS Hit Is the Crime Series Millennials (for Better or Worse) Need

By Peter Foy

January 12, 2018

**Spoilers Ahead** Search Party has the dubious distinction of being a series that’s true colors don’t show right away. In fact, it really isn’t until the second season that the series shows its true ethos, primarily because it performs the impossible feat of turning the debut season’s idea on its head while still retaining its…

Review: Thelma (2017)

By Peter Foy

December 19, 2017

Although mankind would like to think that they have free will throughout their life, there is the inarguable fact that one has absolutely no control over their upbringing. We are brought into this world knowing nothing and are powerless from being imprinted with the values and ideologies of our parents, guardians, and mandated norms in…

Review: Three Billboards Outside Ebbing, Missouri (2017)

By Peter Foy

December 4, 2017

When film noir is brought up, the first thing people tend to think of is the environments that these films are associated with. They think of the dark alleys and smog-saturated urban locales of American cities (typically LA but sometimes New York) where many an evil deed has taken place. However, rural noir is a…

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