Pop artist as crime poet? Well, Claes Oldenburg's work repeatedly makes monuments out of the everyday detritus of living, from apple cores to clothespins. By aggrandizing the humble, he offers a fresh perspective and dispels complacence, which is what I think crime stories do. They delve into what's tawdry, venal, cruel, or tragic with such purpose and attention that we come to consider events and people far differently than we do blipped statistics or stale news items.
Here are three minutes of Claes Oldenburg's wonderful words, excerpted from his “Ode to Possibilities” (1961), read in honor of National Poetry Month and as an unusual stop on April's blog tour for crime poetry, 30 Days of The 5-2.
He's for “an art that embroils itself with the everyday crap” and “an art that imitates the human, that is comic, if necessary, or violent, whatever is necessary.” IMO, that's the enduring attraction of the crime genre. Do you agree?
The complete text, with much more background on the artist and his work, may be found at the Walker Art Center.