In addition to the return of Endeavour on Masterpiece Mystery this week, PBS will air The Tunnel, a French-English co-production from 2013. If the initial episodes are any indication, this police procedural might be worth digging into. Fair warning to those who prefer their mysteries on the mild side, however—there’s uncomfortable stuff ahead.
We begin near Calais, France, with an ordinary worker on an ordinary day at the Eurotunnel between England and France. Things seem quiet enough, until he spots the body of a woman in the service tunnel intentionally placed on the line that marks the border between England and France.
The French police investigative team, led by Elise Wassermann (Clémence Poésy), recognizes the woman immediately as a high-profile member of the French parliament, an anti-immigration hardliner. “Her head is in France,” Wassermann tells her English counterpart, Karl Roebuck (Stephen Dillane), as they view the body. “She’s French. So it remains a French investigation.”
Le Boom. That’s him schooled.
Wassermann’s single-minded fervor for her work intimidates even her own colleagues. Roebuck, on the other hand, takes a laissez-faire approach. It’s fairly evident that if he were pushed to back off, he would go quietly—only stopping to pick up some croissants for the wife and kids at home. All in a day’s work, really. Except, when the crime scene team tries to move the body, they find the dead woman has been neatly sawn in half. A few minutes later, we learn that the “body” is composed of two distinct halves from two different women: the French MP and an English prostitute.
This is now officially an international incident. Time to put diplomacy into action.
[Hands—and other body parts—across the water...]