To celebrate the 70th anniversary of film noir’s landmark year, we’re looking at the six key noirs of 1944: Double Indemnity, Laura, Murder My Sweet, Phantom Lady, The Woman In the Window, and When Strangers Marry. Earlier this week we looked at Fritz Lang’s The Woman In the Window. Today we look at William Castle’s When Strangers Marry.
While many scholars peg Double Indemnity as the first fully formed noir in terms of both style and theme, you can see the genre’s style and ethos taking shape in earlier films like Stranger On The Third Floor (1940), I Wake Up Screaming (1941) and Street Of Chance (1942). By 1944 you can see all of this coming together in the low-budget mystery-romance When Strangers Marry. The film is an interesting specimen of the emerging noir style, but it is of particular importance because it launched the criminal career of noir’s greatest leading man.