Kilmoon by Lisa Alber follows a Californian who ventures back to Ireland to meet her father, but her arrival coincides with a string of violent murders, making her both a suspect and a victim (available March 18, 2014).
The small town of Lisfenora, Ireland, cheats poverty by virtue of its annual matchmaking festival, featuring the enigmatic man known as Liam the Lion. The festival has seen the town through the years where the rest of the nation’s economy went bust, and so Liam’s skills have made him an object of hero-worship to the locals and to those whose lives have been bettered for his choices, as well as an object of curiosity for everyone else.
One of the latter, in 1975, is a fledgling American journalist named Julia Chase, who gets too close to her subject before fleeing back to California and giving birth to a child she raises with a husband, Andrew, who becomes increasingly embittered as the years progress. Nearly thirty years later, Julia’s daughter arrives in Lisfenora to unravel the mystery of her parentage, which Lisa Alber explores with a sensitivity not often seen in your average crime novel:
Merrit’s life, her mom’s life – how different they would have been if Liam had fought for her mom. But he hadn’t, and Merrit had to know why. Since childhood, she’d yearned to fill the void where the unsaid and the murky festered beneath her mom’s smile. Merrit couldn’t recall when she’d realized that her mom was a woman who hid her unhappiness well most of the time. Nor could Merrit recapture the moment she first noticed that Andrew treated her like a houseguest who’d overstayed her welcome, only that it hadn’t mattered until after her mom’s death. All she knew was that the answers lingered along Lisfenora’s cobbled lanes, along which Liam had walked arm-in-arm with her mom.