It’s a long stretch to call Lady in the Lake—the dark suspense film from 1947 that Robert Montgomery directed and starred in—a Christmas movie. But, you know, I’m not much of a holiday films buff, and I wanted to write a seasonal post for this site, so a film noir title that happens to be set around Christmastime was as close as I was going to come to getting in the yuletide spirit for this purpose.
There are some interesting aspects of Lady in the Lake that make it worthy of consideration in December—or any time of the year, really. Based on Raymond Chandler’s 4th Philip Marlowe novel, which was published in 1943, Montgomery’s film is mostly noted for its odd cinematic approach. All of the shots (except those where Marlowe—portrayed by Montgomery himself—speaks directly to the audience in asides) come via how the scenes and people are witnessed by the private eye. Marlowe is the camera. Apart from the asides, and when mirrors are part of the scenes, we hear Marlowe speak and see what he sees, but we don’t see him.