We noir heads love the covers of the classic paperback editions of what we now call pulp fiction. You know, the ones with the deliciously lurid images and the zinging plot teasers. The funny thing about the zingers is that, as often as not, they are misleading in giving an indication of the story’s actual plot, if not outright false. But we don’t care about all of that. We enjoy the catchy phraseology and we know it’s just some words that read well on the book cover and that were put there to hook readers.
The cover of James O. Causey’s 1957 noir novel The Baby Doll Murders is a perfect example of what I’m talking about. A Fawcett Gold Medal title, its face shows a sexy redhead in a negligee, her back turned to a guy who is intently staring at her while he holds a cigarette in his mouth and a cocktail in his hand. And the tagline reads, “She could look like a wistful child and she loved to play games – such as murder, men, and marijuana.”
Now, there is a carrot-topped femme fatale in the story, she does use drugs, and there is a guy who is hooked by her charms. But the truth is that she is only one of about eight main characters in the saga, and the leading man’s attachment to her is only one element of the plot, no more central than the several other subplots that drive the tale. So the main story is really not one of a trouble-making babe who lures a hapless fella into her web of mayhem, as the cover suggests. But who cares? The cover rocks.