When I read that Criterion Collection was releasing a new Blu-Ray edition of Hiroshi Teshigahara’s 1964 film Woman in the Dunes, I tracked down and read the 1962 novel by Kōbō Abe on which it is based. I thought I might write about the Criterion release, and I knew that if I did, I’d want to comment on the ways the screen version differs (or not) from the page version. I’d seen the film many years earlier, but had never read the novel, although I’d read some of Abe’s other books.
As it turns out, there’s not a whole lot to say in comparing and contrasting book to film here. Abe wrote the screenplay based on his own novel, and Teshigahara was extremely faithful to the written version of the story in adapting it for the big screen. The two men were close associates at the time. They were leading members of a circle of forward-thinking Japanese artists, and Teshigahara made three other movies from Abe’s books. This film is a true collaboration between the two men, rather than a case of a movie director taking an author’s novel and completely reshaping it through his or her own vision.