Anno Dracula: Johnny Alucard (Anno Dracula 1976-1991) by Kim Newman is the fourth in an alt-history fantasy series following Dracula's fictional legacy, now including his son, would-be drug lord Johnny Alucard (available September 17, 2013).
The Anno Dracula series has always been a favorite of mine because of its radical reimagining of world history. What if Dracula had really existed? What if he hadn’t met his end at the hands of Van Helsing and Co.? Kim Newman has explored the impact this would have had on the Victorian, World War II, and mid-century eras in previous books: now he sets his sights on what could arguably be called the Cocaine Era of 1976-1991.
As 1976 dawns, the legendary Count Dracula is dead. One of his get, an undernourished young vampire named Ion Popescu, attaches himself to Francis Ford Coppola’s movie production of Dracula being filmed in Transylvania. A sympathetic Kate Reed, hired as consultant to the filming, befriends Ion and is warmed by his seemingly puppy-like determination to change his name to John and migrate to America. She muses:
Was this how Dracula had been when he first thought of moving to Great Britain, then the liveliest country in the world just as America was now? The Count had practised his English pronunciation in conversations with Jonathan [Harker], and memorised railway timetables, relishing the exotic names of St Pancras, King’s Cross and Euston. Had he rolled his anglicised name—Count DeVille—around his mouth, pleased with himself?
Of course, Dracula saw himself as a conqueror, the rightful ruler of all lands he rode over. Ion-John was more like the Irish and Italian emigrants who poured through Ellis Island at the beginning of the century, certain America was the land of opportunity and that each potato-picker or barber could become a self-made plutocrat.