Over the past two decades, Guillermo del Toro has more than proven himself as a master of his craft. I’ve long been an outspoken fan of his and have made it a mission to introduce as many people as possible to his work. And while most know him for his action blockbusters, I wanted to shine a light on his earlier works as well.
It was 1993 when a then unknown Mexican filmmaker burst onto the scene with a low budget and most unusual take on the vampire mythos. Cronos enjoyed quite a lot of buzz at Cannes and won several critics’ choice awards but had a minimal release in the States. Even now, while many recognize del Toro’s name, it seems that few are familiar with his feature debut.
Cronos is a film that defies convention and expectations. Gone are the typical trappings of vampires. There are no castles or Victorian houses, no mysterious gentlemen in fancy evening wear or nubile ladies in revealing nightgowns. Rather, del Toro indulges in his uniquely distinctive aesthetics.
At the heart of the story is a mystical object created by an ancient alchemist, a golden scarab that houses delicate clockwork and a strange insect. When the device is activated and attached to a living person, the transformation into an immortal—and bloodthirsty—creature of the night begins…