The Haunting Ballad by Michael Nethercott is the second supernatural mystery featuring the mismatched crime-solving duo of O'Nelligan and Plunkett (available September 30, 2014).
The second book in the O’Nelligan and Plunkett series is another well-crafted meditation on love (this time primarily romantic) and tragedy wrapped in a period murder mystery. Set in 1950s Connecticut and New York, we follow the somewhat hapless private investigator Lee Plunkett as he and his fiancee of three years explore, with varying degrees of interest, the bohemian scene of Greenwich Village. At a club named Mercutio, an uncomfortable Plunkett and a more enthusiastic Audrey, along with two of her friends, watch the act of a handsome young folk singer named Byron Spires:
Then, to seal the deal, he slid into a mournful ballad, which I have to admit was downright haunting. Phrases like the wind that stirred our wounded dreams and she was the girl I should have loved were I not so young and lost seemed to linger after Spires had strummed his last chord. His set finished, he took in the blend of applause and finger-snapping (a modern form of admiration, I was told), muttered a thanks, and sauntered off the stage.
Scanning the crowd, he seemed to take fast notice of our table, stocked as it was with its trio of comely females. My manly presence was seemingly no deterrent, and Byron Spires, guitar slung to his side, made his way to us directly. Three pairs of eyes widened at his approach. Mine—the only non-female set—narrowed behind the twin shields of my spectacles. Right off the bat, I wasn’t sure that I really loved this guy.