“The Door” marked the official halfway point of Game of Thrones’ sixth season, and it did so with emphatic exclamation. We’ll get to the somber ending north of The Wall in a bit, but first, I want to give a standing ovation to the wonderful troupe of actors who perfectly summarized the entirety of Season 1. Give me them over the Sand Snakes any day of the week.
At the wall, we watched Sansa (Sophie Turner) first dismiss a submissive Petyr Baelish (Aidan Gillen) and then later channel his duplicitous ways in lying to Jon Snow (Kit Harrington) about where she found out about the Blackfish’s rebellion at Riverrun.
In the Dothraki Sea, Daenerys (Emilia Clarke) offered Jorah (Iain Glen) a glimpse into a post-friend zone life, but only if he can figure out how to cure his incurable disease. Sounds about right for Jorah.
At the House of Black and White, Arya (Maisie Williams) and the Waif (Faye Marsay) dropped the gloves, much to Arya’s chagrin, and Jaqen H’ghar explains that the Faceless Men were once slaves in Valyria before going on to found the Free City of Braavos. He then sends Arya out with a vial of poison meant for Lady Crane, the actress playing Cersei in a reenactment of The War of the Five Kings. After watching the seemingly clever and decent actress, Arya grows unsure if the woman deserves the Many-Faced God’s gift.
In Meereen, Tyrion (Peter Dinklage) and Varys (Conleth Hill) hold court with Kinvara (Ania Bukstein), a High Priestess of the Red Temple of Volantis. Tyrion, forever a believer in the power of positive press, urges Kinvara to deliver to the commonfolk the powerful story of Daenerys: mother of dragons, breaker of chains, and all that. Varys, on the other hand, is doubtful of the priestess's preachings...at first.
And finally, we dropped our anchors in Pyke to watch Yara (Gemma Whelan), with the help of Theon (Alfie Allen), attempt to take a seat on the Salt Throne. There’s only one problem, and he calls himself the storm.
[He’s definitely a hard and strong riser…]